Street Guide to learn magic - how to meet and perform Street Magic

Have you ever gone to bed at night and said, "Tomorrow I will go abroad or shopping mall in the center to meet the magic of the road." You wake up the next morning and say to yourself what day is today. They arrive at the place chosen and made again, and decided instead to sip a cup of coffee. Perhaps the approach to say hello and even some of your magic routine road instead.

Most of us have beenconditioned to keep foreigners long arms or avoid it all together, and the climate is applied from the evening news. street artists and Magic (street magician strolling through the purists), we have these opportunities are caught in the crossfire of conditioning in two parts. The first is that we are prepared in this way, we have to a stranger, which is clearly against the principle of conditioning approach. Secondly, we have taken into account, the public musttake you into their confidence once again violated the principle of climate for foreign investment. I do not know about you, but this seems like double jeopardy to me.

So how do we overcome this? Let's take a look at the first approach.

You come downtown and there are people everywhere and everyone is a potential audience Street Magic or lovingly refer to as many victims, not a right? Wrong! What are these people? Appear to be in a hurry, are for aWalking, are waiting for a bus or a coffee break? How about your state of mind? See them frantically, excited, threatening, apathetic, carefree or happy? I call this review. This assessment should be performed when you get to your favorite place and I hope it will be apparent from the above list of priority short, it would be a good choice for his approach.

Some people here would be better not to see their papers, others. Personally, before I get close to someone I have my deckMy hand is already in a vise and mechanical, depending on the effect of a pinky break even. Instead of asking the person, or would like some magic if you want to see something funny or strange that the nature of strange words and strange increase only by the principle of air conditioning stranger. Instead of asking if they would like some street magic, I ask them, they have the Three Card Monte one of the methods "used" to have heard of and go Kard Klubin effect a two-card Monte. If I present: "Here, there and then (from Crash Course 1)", I say "Hey check this out." How do I say this or that I am given a ticket for the public. About Do I give the public a map, because there's something else that many of us have been conditioned to do and to be polite. When I started to approach strangers, I would like "Do you want something magical" or "I can show you something." Sometimes people are open to otherSometimes there have been and I would go to the next customer. Having learned from that rejection, I realized the importance of assessing the situation and the tactics of guerrilla warfare with the use of air conditioning performance polite way magic principle. Some can contact me through this guerrilla tactics do not agree, but I have yet to encounter a negative situation.

The reason why I do not like the magic you want to see a bit '? " Approach because, as we haveI'm begging and I feel like a little 'can be perceived excited to give them something appears, almost as if I were in need or begging in a sense. Another approach, which I do not use overly polite or "cheese" by using words such as sir or madam, if I need a correct address is necessary to hear. Rememeber, street magic informal.I not look like "a" sect "or" hacker. A simple hello or good morning seems to work better andcould apply to be perceived not real thick, and the old principle of foreign policy air conditioning kicks in

Eye contact is important. The eyes are the mirror of the soul, or so the saying goes. With eye contact you can establish your presence, to convey the sincerity and deception, if necessary. In contact with eyes, and establishing your presence, strengthen your presence, clearly speaking from the gut and opening the mouth. If you talk fast, too slow. One of the things I hadimprove the spell when I road project and the voice began to open my mouth because I am my vulnerable time to talk and murmur soft time. Speaking in a clear and strong enough to be heard and help you solve your nerves, because you will need. Think about it! A hearty "Hello, have you ever heard of the Three Card Monte." I do not know about you, but my pride would not let someone new to that. In no way but forwardnow!

And if the nerves are really starting to be felt with something as simple as a bit 'mind reading by force what you feel good, then something is the first move to make your skills. Among other things tell you something "difficult", which is an indicator that maybe what you think is should be "harder" should be left alone, especially if it is not a natural movement, trying to be done in an informal manner and may relaxed way. Remember, hitting hard with the simplepresentation of the right.

Getting out there and do some street magic on the streets will be what the mirror and the camera can not do with experience, will teach you how to interact with different people and different situations that you have a lot of. First call with perhaps two effects, first gives you a little 'pleasant routine street magic begins to grow, all alone, becauseExperience.

Finally, remember you are yourself. Draw on your personality, your experiences and feelings associated with them to build your character. As Polonius said, "This is true especially for you."

Now stop, in your bathroom with mirror and you're done!

Ellusionist Factory Sealed - Top 10 Reasons to Perform This in Your Magic Show

Are you a magician? Do you specialize in street magic? Let me share my top ten reasons why you should add Ellusionist Factory Sealed> to your performing repertoire.

If you are not familiar with Ellusionist Factory Sealed, here is the basic description of the effect below:

The magician takes a factory sealed bottle of water, pulls the label off, and then slowly, visually presses the coin into the unopened, full bottle of water. There is no cover whatsoever. No water leaks from the bottle. No jerky movements of the coin towards the bottle or the bottle towards the coin.

Now here are the top ten reasons why Ellusionist Factory Sealed will be a reputation-maker for you:

You can use a borrowed coin.
The bottle can be taken from a vending machine.
You can perform Ellusionist Factory Sealed right in front of your spectator's eyes.
You can perform this surrounded by your audience.
The spectator can see completely clear through the bottle.
The bottle's label can be removed.
The spectators actually see the penetration occur. Yes, the slower the miracle is performed, the better.
The spectators can hold the bottle as the penetration occurs. Yes, this creates a truly astonishing experience for your audience.
No gimmicks are necessary.
Everything can be immediately examined after the trick.

So there you go- the top ten reasons. If you are performing street magic, you must use effects that look totally natural to ordinary people. What is more simple and natural than putting a coin through a plastic bottle of water? That is precisely why Ellusionist Factory Sealed is so effective... because it doesn't look like a magic trick that you got from a magic shop.

See more Ellusionist Factory Sealed reviews here. Discover magic tricks tips and advice [http://www.magic-tricks-tips.com] to improve your magic routines and astound your family, friends and audiences.

Learn to perform Magic - 5 things to do to be successful

Now you can live in a big house and travel around the world. You can all the money you could wish for.
These are all things possible, like magic, magician. Let me give you five things you must do if you are a professional magician ever.

you need to understand that everyone can learn magic. Just buy a magic trick, open it and read the instructions. Bingo, you've learned a magic trick. But you're a magician? Not in the sense ofthe word. The first time the magic trick, deceive anyone. Learning magic is not just reading the instructions.

If you really want to learn how to evoke the instructions to leave the audience amazed and the money comes in, you will need to do more than just read a lot. Here are five tips to get started.

1. Practice.
First, you must practice before you go to show someone that you have a magic trickhave created or learned. If the trick requires skill, practice enough so that you do in your sleep. I recommend you take your movies with a camcorder or camera phone. In this way you see yourself as the audience sees. They're all you can see, but you know what you need to make the makeup to be surprised.

2. Be creative.
Each submission must be magic trick. All the great magician would not be where they arenow, if carried out exactly like the magic trick is its outlined in the directions that came with. Everyone made fun of a trick and creates a story around it. Maybe drama, suspense, or what most people like comedy. How can you, you have to do the ordinary and extraordinary.

3. Speak for themselves.
If you can be a great trick but the public do not hear or understand, then all those hours of practice go dominate some tricks to lose. If youin public schools are still seeking to speak or debate classes. If you have an accent, they are acting in your tie. Desi Arnaz was doing very well with his poor English. In the performance as a conductor Cuban Ricky Ricardo, the show often made fun of his poor English. You can do the same in the show.

4. Sample Misdirection.
To summon you have to learn to be a master of misdirection. If you shoot or produce something with your right hand will need, you should be able tothin you get the audience on your left hand and see how far from the right as possible. Once you look away, the right hand is free to do what needs to be done. Try this the next time you see a magician throwing his left fist in the air. Look instead in his right hand. As you can see, catching all sorts of things.

5. Be prepared.
And 'the Boy Scout motto, it should be yours also. Keep a list of support so you know that every item you'll need every trick. The last thingYou want to find a power of time, you're missing an important part of the show. I also broke up with a box full of supplies for the repair or tear anything.

Following these five rules will not only be fun, you will also receive repeat bookings. You earn respect among colleagues and build your reputation as a professional.

Perform Card Tricks and Levitations For Easy Street Magic

Nothing is more exciting for a magician than performing right on the street and with easy street magic, even beginners can quickly build up their confidence to impress strangers and make cash. Popular magicians Criss Angel and David Blaine have enjoyed enormous success thanks to their talents for street magic. These magic tricks for kids, discussed here, offer a great introduction into the secrets of street magic. Kids looking to perform right in front of their audience on the street will need a variety of tools of the trade. Besides a deck of cards, a street magician needs coins, balls, cups and strings at least. Other items are likely to be needed as well depending on the types of magic tricks being performed.

Easy street magic tricks include making objects levitate, vanish and reappear. Levitation is probably the most coveted of all the magic tricks for kids since it gives the illusion of something really floating in air and makes a kid feel like a real magician. Levitation is actually pretty easy to learn, you just need a small object such as a pencil or leaf and a clear string. Using a clear adhesive attach one side to a finger on your hand and the other to the object being used. Wear a white shirt when performing this trick and move your fingers around, because the string appears invisible, the object will appear to be floating.

One of the most basic and fun easy street magic tricks, uses cards. This idea works great with a street audience because it allows for audience interaction and sets you up to look like a mind reader. Have an audience member pick up a card of their choice from any spot on the deck. Tell them to concentrate hard on their card. After they have it memorized, instruct them to place this card on the top of the pile, face down. Then to keep the audience from seeing the trick have the spectator turn over some cards on the top half of the deck, without shuffling it and place in a pile beside the first deck. Pay attention to this pile since the spectator's card is on the bottom of it.

Now to complete this easy street magic trick, pick up a large part of the original deck and turn face up onto another pile, creating three piles. Turn over the two piles not containing the spectator's card and start shuffling, finally turn over the last pile and add it to the top, continue shuffling, but keep the spectators card on top of the deck. Place the whole deck on your forehead and tell the audience member to concentrate on their card. Press down firmly so the top card sticks to your forehead, you ca use a little spit if need be, but make sure the audience doesn't see you do this! Slowly lower the deck and watch the audiences surprise as the card is revealed.

Practice your tricks in front of the mirror to help perfect your technique, this will be critical when doing magic tricks for kids that require you to tell a story and rely on fluid hand motions so the audience doesn't have the time to think the trick through. With a little practice and flourish, you will be prepared to amaze your audience with easy street magic tricks in no time at all.

To learn more easy street magic tricks visit my blog http://www.freemagicblog.com/

To perform a magic trick

When it comes to a magician or even learning the skills that friends help each other effectively entertain their family and how to perform a few magic tricks becomes a necessary part of the process. No matter how complicated or amazing the magic, there's a secret that many cases it is relatively easy to achieve. Magic tricks have the power to seduce and deceive the public into believing a whole, is no way to explain what they just have seen.For spectators, not to know the secret is part of the conversation - once the secret is out - the trick has lost much of its charm. But for magicians and other artists, knowing that the secret is part of the joy, the magic comes to fruition.

A wide variety of stakeholders used magic to their advantage. Some people, such as magicians and clowns, use magic as their main source of income. Others, like the fans to enjoy the simple lifethe party or the center of attention when they are able to speak the magic with their peers. Self-working magic tricks include the effects that the application is not a high skill level. Instead, they are usually learned rather quickly. Many people consider the best magic tricks based on simple principles, as some of.

When you learn a magic trick, there are many factors to consider. Depending on the difficulty, practice makes perfect. SomePeople must develop the capacity, the audience with his hands, body language, and even their words directly into the belief in witchcraft. While magic tricks do not use many of the same technology, or foundation, all the performances are the same . Every time you make a coin disappear, or a magician pulls a rabbit from the hat, there is a degree of self-expression that makes or breaks the delivery. Therefore, it is important to work on presentation skills in order to continuemesmerize a crowd.

Mages just get in the business in general, learn magic tricks involving cards and coins. The hocus-pocus and sleight of hand tricks in connection with a coin, it helps them to one of the most popular forms of magic. For most of the sample coin tricks, you have ability to have some respect to their ability, hands on its use to successfully perform a trick. If you move too slow or too obvious, the secret is blown.

AfterRead a step-by-step guide on how to perform some magic trick, it may take a while 'to get the hang of. While some budding magicians take some time to understand the mechanics of a trick, others could learn the same day. It 'important to properly magic trick or the secret of magic is evident. Before you brag trick is proposed to test your newfound knowledge to a family member. If they askas "used their card appears from the sky" in a position, then you know that have been well done.

During and learn magic tricks are interesting paper currency, there are many other simple repertoire selection add that the use of other objects as part of the main theme. Tissues in the color-changing trick a magician makes the audience believe they have the power, a handkerchief of one color to another by simply pressing them to turn their hand.

L 'Chinese Linking Rings Trick uses solid rings as part of a classic magic trick of illusion. Magician who sometimes show how the costumes, music and other tricks that can make solid rings appear to be connected and disconnected several times. Some people with money to do a magic trick, as the passing one billion U.S. dollars with a 100 bill, and so tore dollars all over again.

With one of the oldest magic trick in recorded history, the pyramids of Egyptsee more details of the cups and balls trick, which includes the use of stackable plastic or metal cups and balls. In a trick known to some as the Professor's Nightmare, unequal lengths are three magic run to where the end - each string is the same length.

In terms of magic, the endless possibilities, and it is important to remember that no two magicians, the same trick and get the same reaction. Carefullypatience, practice and do not have time in the world of magic and you can move the view of simple tricks, things disappear and reappear before the eyes of the public.

Learn Street Magic Guide - How to Approach and Perform Street Magic

Have you ever gone to bed at night and said to yourself, "Tomorrow I am going to go downtown or to the mall to perform street magic for a stranger." You wake up the next morning saying over and over to yourself that today is the day. You arrive at your chosen venue and back out and decided to sip on a cup of coffee instead. Perhaps you even approach someone to say hello and instead of going into your street magic routine.

Most of us have been conditioned to hold strangers at arms length or avoid them all together, and that conditioning is further enforced by the evening news. And street magic performers (strolling street magicians for the purists) we are caught up in the crossfire of this conditioning in two ways. Firstly being that we are conditioned this way, we have to approach a stranger, which clearly goes against this conditioning principle. Secondly, we have to take into account the spectator who must take you into their trust, again violating the stranger conditioning principle. I don't know about you but this seems like double jeopardy to me.

So how do we overcome this? Lets take a look at the Approach first.

You arrive downtown and there are people everywhere and everyone is a potential street magic spectator or as some will affectionately refer to as victims, right? Wrong! What are these people doing? Do they appear to be in a hurry, are they out for a leisurely stroll, are they waiting for a bus, or having a coffee break? How about their mood? Do they look frantic, upset, menacing, lackadaisical, carefree, or happy? I refer to this as an assessment. This assessment should be made when you arrive at your preferred venue and I hope it is obvious by the short list fore mentioned as to who would be a good choice to approach.

Some here prefer to have their cards visible others do not. Personally before I approach someone I have my deck in my hand already in a mechanics grip and depending on the effect a pinky break as well. Rather then asking the person would they like to see some magic or would you like to see something weird or strange, which by the way the words strange and weird will only heighten the stranger conditioning principle. Instead of asking if they would like to see some street magic, I ask them have they ever heard of the Three Card Monte one of the approaches used in "Kard Klub" and go into a Two Card Monte effect. If I am presenting "Here Then There (from Crash Course 1) ", I will say "Hey check this out". As I am saying one or the other I am handing the spectator a card. I am handing the spectator a card because there is also something else that many of us have been conditioned to do and that is to be polite. When I first started approaching strangers I would use the "Would like to see some magic" or "Can I show you something". Sometimes people were receptive other times they were not and I would move onto the next customer. Having learned from these rejections I realized the importance of assessing the situation and using the guerilla tactic of taking advantage of the polite conditioning principle in street magic performances. Some may disagree with me on this guerilla tactic, however I have yet to encounter a negative situation.

The reason I do not like the "Would you like to see some magic?" approach is because It is like I am begging or I feel that I may be perceived as a little to enthusiastic to show them something, almost appearing as if I am needy or begging in a way. Another approach I do not like utilizing is to be excessively courteous or "gushy" by using terms such as sir or ma'am unless I feel that such a proper address is necessary. Rememeber, street magic is informal.I also do not like to appear to be to "bubbly" or "chipper". A simple hello or good morning seems to work best and by laying it on thick could be perceived as not being genuine and the old stranger conditioning principle kicks in.

Eye contact is also important. The eyes are the windows to the soul or so the saying goes. With eye contact you can establish your presence, convey sincerity, as well as misdirect when needed. In making eye contact and establishing your presence, strengthen your presence by speaking clearly from the gut and by opening your mouth. If you talk to fast, slow down. One aspect I had to improve on when I first started doing street magic was to project my voice and to open my mouth since I am prone to be soft spoken and mumble from time to time. By speaking clearly and loud enough to be heard can also help to deal with your nerves as it commits you. Think about it! A hearty "Hello, have you ever heard of the Three Card Monte". I don't know about you but my pride would not allow me to back down after approaching someone in this way. No way but forward now!

And if nerves are really kicking in start off with something simple like a mind reading bit using whatever force you feel comfortable with, then move onto something that will make use of your skills. By the way by saying moving on to something "harder" that should be an indicator that maybe whatever you think is "harder" should be left alone, especially if it is not yet a natural looking movement that can be done in a casual and relaxed manner. Remember simple hits hard with the right presentation.

Getting out there and doing some street magic on the streets will do for you what the mirror and camera cannot it will provide you with experience, teach you how to interact with different people, and pose different situations that you will have to deal with. Start off by going out with one maybe two effects and before you know it a nice little street magic routine will start to develop all on its own because of that experience.

Lastly, remember to be yourself. Draw on your personality, your experiences and the emotions associated with them, to build your character. As Polonius said "This above all to thine own self be true."

Now stop hiding in your bathroom with the mirror and get out there!

Tony Weth has been performing street magic [http://www.learn-street-magic.com] for over 8 years and creator of the site, Learn Street Magic [http://www.learn-street-magic.com].